The QL17, QL19 and QL25 are all essentially the same, differentiated only by their f/1.7, f/1.9 and f/2.5 45mm lenses. This was very much the mainstream of cameras in the ’60s.
The AE-1 marked the introduction of micro-processor electronics to photography. For the first time microprocessors calculated exposure and timed the shutter, which in this case was still a fairly traditional horizontal cloth design.
The Canon A-1 was the first camera to offer micro-processor controlled, programmed auto-exposure, where both aperture and shutter were determined by the camera.
A groundbreaking design departure for Canon, and one which established the pattern for almost every DSLR they sell today.
A wonderfully simple and unsophisticated camera, we sold lots of Trips during the time I worked as a retail assistant in Dixons from 1981 to 1983. Despite having no battery, the trip manages to offer programmed automatic and aperture priority metering modes – made easier because it had to choose between only 1/40th or 1/200th shutter speeds!
Quite a solid camera, arguably introduced just a little late. The K1000 preceded it by a year, and with it came bayonet mounts and 1/1000 top speeds – by comparison the ST605n seems a bit behind the times with its M42 screw thread and 1/700th sec top speed.
Arguably the very best camera Pentax ever made, and their only attempt at the professional 35mm market. This is a cracking camera in every way!
Introduced just 2 years after the ME, the ME Super is one of two cameras that replaced the first auto-mode M series body. I had one in the early ’80s and absolutely loved it!
Aperture priority only automatic was a fairly bold move for a 35mm SLR in 1977, but the great handling of the ME won many fans
In 1975 Pentax introduced a trio of cameras to launch the PK Bayonet mount, of which the K2 was the flagship. Though the basic chassis is very similar to the K1000 which came a year later, the cameras themselves are very different.